My series will explore shapes and color. Cool and warm colors will be used to create positive and negative space in the series. The implementation of them will differ throughout the series, with the background and foreground changing depending on which image in the series is being created. The foreground will consist of a pattern of geometric shapes, which will create rhythm as they are repeated smaller and smaller. This change in size will also demonstrate scale, with shapes both large and small in the image. Lines will be used for variety, to create visual interest away from the repeated shapes.

The colors of the image will depend on which image in the series is being created. Sometimes, the shapes will be warm colors, popping out and commanding attention; at other times, the shapes will be cool colors. The background color will be complementary to the color of the shapes; cool when the shapes are warm, and vice versa. The background will be blended to show the transition of color and make for a more interesting background. This will split the emphasis between the top where the lines will be drawn, to the bottom corner where the blending will originate from. This split in emphasis will draw the eyes across the image, rather than having a main focal point.

Procedurally, the differences in the series will stem from mathematical manipulations of the given number. Based on the number, a variety of decisions will be made about what is to be drawn and how it is to be colored. If the number is even, the background will consist of a cool color, and the foreground shapes will consist of warm colors. The opposite is true should the number be odd. The cool colors will be chosen by creating a list of 7 cool colors and taking the modulo of the given number by the number of colors in the list (in this case, 7). The warm colors will be chosen by a very similar process, but with 11 options instead of 7. Once the color is chosen, that color will be sent to the procedure radial-blend, which will take the color and blend it from black in the lower left hand corner, out in a circular pattern to the pure color. The colors in between the black and pure color will have red, green, and blue values proportional to that of the pure color.

The lines that will be drawn in the upper right hand corner will be one of 13 colors that span the color spectrum. The original proposal called for each line to be of a different alternating color, but it was found that having the lines be of the same color was more interesting and athstetically pleasing. The color will be chosen in similar fashion to the colors for the background, by taking the modulo of the given number by the number of colors, in this case 13. The lines will be drawn from the left edge of the top of the image to the top edge of the right side of the image, offering an interesting pattern up in the corner. The procedure is coded such that the measurements of the lines are based solely on proportions of the image size, so no matter the size of the image, the lines will be where they were intended to be. The lines will also vary in size depending on the number. 11 intervals from 0 to 1001 (to insure complete coverage of the required 1000 images) will be used to change the size of the lines, with the smallest lines being drawn when then given number falls in the lowest interval, to very large lines when the number is large and falls in the large interval.

There are 3 possible geometric shapes possible in this series. The number of sides of these shapes is found by taking the modulo of the given number by 3, and then adding 3, which gives the possibilities of a triangle, square, or pentagon. A series of 4 shapes will be drawn, each one smaller than the last. There will then be 3 additional repetitions of the series of shrinking shapes, in a square pattern. The initial proposal was unclear about the arrangement of the iterations. The shapes will be drawn by turtles.

 As all the decisions that are made using modulo are using numbers that are relatively (and in this case, actually) prime, all the possible combinations of these images are possible. Since that is the case, the number of unique images created by the modulos alone can be found by multiplying the number of unique decisions they each provide. There are 7 different cool colors, 11 warm colors, 3 different possible geometric shapes, 13 possible line colors, which (after having been triple checked after an embarrassing and befuddling mathematical error in the original proposal) offers 3003 different possible combinations. There are also 11 intervals of different line sizes, but as these changes are not guaranteed to vary based on other changes and only are the same within the interval. To some unmeasured but measureable degree, this also offers more possible unique images.